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And so Forth is such a compilation of material, but it was all new to me. It might have been just the pleasure of the hunt. So it was mine. Somehow, I had thought it would be bigger. And so Forth is a veritable brick of a book, whose edges are reinforced with metal linings no less. I suspect all that would happen is possibly some laughter.
I wrote elsewhere about how the form of a book matters. This is not to say that the work is grave. Calle manages to bring a smile to my face even where she makes me cry. Maybe if we all thought of Sophie Calle when discussing conceptual photography, that field would find a lot more dedicated followers.
http://sibsedu.kspu.ru/includes/gladkiy/gdz-po-himii-8-klass-k-uchebniku-gabrielyana-2015.html As far as I can tell conceptual photography has the reputation of being made for people who laugh on command. And then comes Sophie Calle, and you realize how a completely conceptual approach, a strange set of rules that might or might not seem to be overly restricting can result in the world unfolding in all its glory in front of you.
That very evening, quite by chance, he was introduced to me at an opening. Approaching the work with the idea of great photos in mind would miss its point. In Venice, Calle shadowed her person of interest, whom she indeed managed to track down.
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